Wednesday, April 27, 2016

Road tripping through Kerouac’s Queens


Taking a road trip sometimes happens on a whim on a random weekend day, not because I’m suddenly inspired with the desire to know the American road, but because our toddlers have fallen asleep in their car seats and the wife and I want them to nap for a while. So began our latest sojourn on the great American road, which kept us mostly around our borough of Queens, but that’s OK because as you might have surmised, Queens is secretly New York City’s greatest borough.

We left the Queens Botanical Garden in our neighborhood of Flushing and our twin girls were asleep before we reached the nearby highway. We headed to the Rockaways because it was the anniversary of the Easter Uprising in Ireland and the Rockaways have been a home to hardscrabble Irish for a long time, including one Queens native who wound up fighting in the Easter Uprising of 1916.

Our navigation system took us into Nassau County and we passed by Valley Stream State Park before getting off of the highway and driving through the villages of East Rockaway, Malvern, and Lawrence.

We didn’t end up in the Irish part of the Rockaways, and the housing projects that tower over the bungalow houses are not filled with Irish immigrants. We decided to start our journey home going through Broad Channel and my old neighborhood of Ozone Park.

We took Cross Bay Veterans Memorial Bridge and cruised over Jamaica Bay. On one side of the bridge the skyline of Manhattan was prominent through the haze of sun and clouds. On our right and north was JFK Airport. Broad Channel is a small community that sits on the waterfront of Jamaica Bay. It’s a rare example of small town life within the five boroughs of New York City.

Cross Bay Boulevard brought us farther north, past the Jamaica Wildlife Refuge on both sides of the road and into Howard Beach and Ozone Park.

When I first came back to New York City, I worked at JFK Airport and lived in Ozone Park. I was very happy to learn that Jack Kerouac lived in Ozone Park for 12years. He’s celebrated a lot in Massachusetts where he is originally from and buried, and in Manhattan where he would give readings and where he wrote On the Road. But Kerouac wrote his first novel, The Town and the City, while living in Ozone Park.

There is a historic marker outside the house where Kerouac once lived. When I lived nearby, it was good to go to Glen Patrick’s Pub and gulp down drinks, hoping some literary magic might have survived and would rub off on me. That kind of sentimentality is crap, really, but it was good at the time to know that the inheritors of America’s great literary traditions came from working-class enclaves like Ozone Park and Howard Beach.

It was good to see reinforced the knowledge that real literary grit and work takes place not in the posh hipster enclaves and trendy bars or bookstores of Manhattan or (nowadays) Brooklyn. Kerouac didn’t haul his typewriter to a coffee shop so people could gawk at him write. He got his writing done in a cramped apartment a few feet away from Cross Bay Boulevard.

We took our girls into the Cross Bay Diner and had a late lunch while watching boats and seagulls come by on Hewett Creek. Fishing boats, a police boat, and even a large fishing boat called TheCapt. Mike, came by and served as a great distraction for the kids.

Howard Beach and Ozone Park have changed quite a bit since Kerouac lived there, and they’ve changed a lot since I moved away in the summer of 2001, but their working-class character survive and they remain great neighborhoods to live in. They will continue to inspire and bring more great artists to the world. 

Wednesday, April 20, 2016

Earth Day is Not Just for Hippies Anymore



April 22 is Earth Day and no doubt many of the Earth Day observances will be obnoxious and useless. People have given environmentalism a bad name. Whether trying to tie helping the environment to New Age mysticism, linking terrorism to climate change, or comparing eating meat to the Holocaust, the mantle of environmentalism and appreciation of the Earth is a damaged one.

Just because hippies are doing it, doesn’t mean it’s necessarily wrong or bad. Hippies were one of the first groups to organize against prohibitions against marijuana and now only the most dyed-in-the-wool authoritarian throwback wants to keep banning the weed. There are some things hippies get right, and appreciating nature is one of them, even if they do it in ham-handed and atrocious ways.

There is no American in history who embodied personal greatness and strength more than Theodore Roosevelt. And Teddy Roosevelt never met a nature preserve he didn’t like. To him, men who sat around inside all day were pussies who deserved to be thinned out of the bloodlines. Enjoying the great outdoors is a necessary part of life Roosevelt would tell you if he were still with us today, and anyone who doesn’t appreciate nature is some kind of effete nincompoop who should have no say in civic affairs. Even after he was president, at a time when most people retire to the quiet life, Roosevelt nearly died on an expedition in South America. You can go to the American Museum of Natural History today and see animals that Roosevelt went and shot so you could enjoy looking at them today.

Theodore Roosevelt would rightfully despise hippies and other layabouts but he would approve of Earth Day.

In order to appreciate the world and the great outdoors, it has to be there and in good working order. If you’ve ever gone to a favorite camping spot and found logging going on nearby, or seen heat-induced drought dry up streams in a favorite deer hunting spot, you will be drawn to the cause of the environment not matter what your politics.

Environmentalism used to be the exclusive province of more left-leaning groups, but now there is much common ground and elements on all ends of the political spectrum have found reason to embrace elements of the environmentalist movement.

And contemporary Earth Day observations will feature a lot of DIY community organizations acting independently and doing things that involve lower-cost, non-government solutions to some of our problems. For example, my wife is one of the founders of our local CSA (Community Supported Agriculture) group, which is a cooperative that allows members to get fresh produce from a local farm. Flushing CSA is taking part in several Earth Day events, and CSA groups are one of a lot of different cooperative organizations out there that are doing very direct and helpful things outside of what is normally thought of as environmental activism.

Earth Day may still be stigmatized as a lot of nonsensical claptrap, but that’s not excuse not to do something that is helpful to the Earth. It’s what Theodore Roosevelt would do.


Wednesday, April 13, 2016

News Flash: New York’s subways are horrible


Presidential candidate and former Secretary of State, carpetbagger Senator, First Lady Hillary Clinton was recently criticized for needing to swipe her MetroCard five times to access the New York City subway system. She rode the 4 train all of one stop after entering, and technically broke the law by campaigning in the subway.

There are a lot of things to criticize Hillary Clinton for, but the media focused on her needing five swipes to get her MetroCard to work. But the MetroCard incident (if you can even call it that) didn’t expose Secretary Clinton as being out of touch, it demonstrated what any New York City resident will tell you in a heartbeat: New York’s subways are horrible and only getting worse.

I’ve been a regular New York City subway rider for nearly 20 years now, I’m a seasoned professional when it comes to riding the subway, and there are times when I will need five swipes or more to get through the turnstile.

And the MetroCards and the turnstiles are only the tip of the iceberg. The entire subway system is unreliable, poorly run, and in need of massive reform reconstruction.

The same week that Hillary Clinton had her MetroCard wielding skills thrown into doubt, I visited the subway system’s newest station for the first time. The 34th St. – Hudson Yards station opened up last September to much fanfare as being the sleek, modern station of the future that the city had been waiting decades to see. I had to ask someone where it was because signs do not lead pedestrians to the station and it is surrounded by the massive Hudson Yards construction project. But once you find it, and this is old news now, the Hudson Yards station is a leaking boondoggle. When I got the station, all but one of the down escalators were out of service.

In theory the station is supposed to be ready in a few years to welcome thousands of people who work there and see off thousands of residents who will live there during the workdays. It can barely handle the small amount of traffic it gets now. In fact it proved to be a disaster even before it opened.

And the 7 train is the most overloaded train line in the system (though there are several other leading candidates for this honor, the L train being one of them). Even if the Hudson Yards station is the dream station it was meant to be by the time the construction on Hudson Yards is completed, there are no plans to double the tracks or the capacity of the trains, so the transit authority thinks that a few extra thousand users a day can be absorbed by the 7 line with no problem. That idea is absurd.

And as bad as the 7 line service is, there are actually train lines with less reliable service. Almost every workday, as I’m on my way to work. Emails from workers in the small office I work in arrive on my phone. Just about every day at least one or two people are emailing that subway or commuter train lines are messed up and they may be late for work. My first day back in the office this year after the holidays, it took me two and a half hours to travel 13 miles, and that was after I gave up and got out of the subway at Jackson Heights and took a cab the rest of the way to work.

Here is what New York City’s subway system desperately needs:

Infrastructure overhaul: New York’s subways are running on an antiquated switching system that in some places is more than 100 years old. There’s no excuse for that in a city as modern as New York.

More trains: No one should wait more than fifteen minutes for a train or bus anywhere in the system anytime. Am I unrealistic? No. It’s a matter of public safety at night as much as it is a matter of decent public transit.

Faster trains: The trains were made to run slower after an accident in the 1990s. Let’s reverse that and let the trains go at the speeds they are able to move. The way to avoid accidents is to avoid accidents, not degrade the service to mitigate risk.

More passenger capacity: The Long Island Rail Road has some trains that are doubled decker and can handle more passengers. There’s no reason we can’t have that for the city. The same applies to busses. If the tourist busses can be double decker, there’s no reason that some of our transit system busses can do that as well.

New York City is the greatest city in the world. It deserves to have a transit system that reflects that. We are far from that today.


Thursday, April 07, 2016

New York is full of adult children


One day I was on my way through a part of the Lower East Side that used to be tragic because it was filled with open-air heroin markets and abandoned buildings that were once beautiful. Now the tragedy came from the pendulum swinging too far in the other direction. I was walking by the playground of a public school and it was filled with grown adults playing kickball.

People are free to do whatever they want to with their time, but it’s hard not to be embarrassed for people who are full-grown adults doing things designed for children.

Adult kickball is the least of it. Washington Square Park recently hosted an adult pillow fight. Grown people will now pay money for summer camp for themselves. Biological adults have even held big-wheel races for themselves. There is now a Night at the Museum sleepover at the American Museum of Natural History for adults instead of just children.

If it were only stunted teenagers or adults who were developmentally disabled who were participating in these kinds of events, I’d understand. But people who are involved in these childish games are often educated adults with good jobs, who are old enough to be mature. Adults will spend thousands of dollars to dress like elves or witches or Star Wars characters and not just on Halloween.

There’s something deeply wrong with wanting to revert back to childhood. Even if you had a happy childhood, why live it again? The things we did as children were fun, but they were always a substitute for the adult things we wanted to do more at the time. At least I did. I thought kickball sucked when I was a kid; I wanted to read books and shoot real guns instead. Why should we want to go back to a time when all of our decisions were made for us and we had only limited access to the real adult world? If grade school was the best time of your life, you have failed miserably somewhere along the line. No one should peak at 10 or 12.

The adult privileges we have come at the price of the responsibilities we inherit. Older generations partied hard when they were in their 20s and 30s, but they were working jobs to support families. There’s nothing wrong with being a late bloomer in life. I didn’t get married until I was 40 and became a father at 41, but I retired from the big wheel racing circuit before the second grade.

Our educated adults should feel free to party, but not at the expense of their dignity. There’s a danger to clinging to the past and wanting to act like a child; it stunts your development as an adult.

It’s sad to see people bragging about doing things as an adult that they should have mastered decades ago. There’s even a cute term for it: “adulting.” People who use ‘adult’ as a verb deserve to fall into the same vat of acid as people who use ‘summer’ as a verb.

I understand wanting to keep the party going and avoid responsibility, but if you have a clear mind and the courage to face reality, you won’t feel good about yourself if you avoid life. Accepting major adult responsibilities can be a daunting undertaking, but you will feel better about yourself knowing you didn’t run from the challenges of life. 

Wednesday, March 30, 2016

Political enemies make the best friends


There is a popular meme being widely shared on social media. It depicts several of current crop of presidential candidates and says, “If you are voting for any of these candidates, please unfriend me now …. Just kidding. I’m not twelve.” 

It’s a funny meme and one people ought to take to heart. I learned long ago that political views and personalities are not one and the same. Just because someone agrees with you on political philosophy and public policy doesn’t mean they are agreeable people are even good people. You will find that you will completely loathe some of your own allies more than your sworn enemies. A person’s personality is not dictated by their politics.

Some of my most productive and pleasant conversations have been with people on the extremes, the outside of what is considered proper or viable political discourse. These people could speak honestly with me because they had nothing to lose. They didn’t have to put on airs to convince themselves or the world around them who they were. Their outlier status bestowed on them an easy confidence that meant they didn’t have to prove who they were or make a dramatic demonstration to establish their identity at every turn.

I have friends who span the political spectrum from far left to far right. Some of my friends would be horrified that I’m friends with communists, cops, Black Lives Matter protesters, white nationalists, transgender activists, Republicans, Democrats, Green Party activists, Libertarians, and more. I’m friends with active duty military members as well as pacifists, anti-war demonstrators as well as veterans (and some of the most fervent anti-war people I know are veterans).

I didn’t set out to cultivate friendships from every political persuasion, it just happened that way. I’ve met lots of interesting people from all walks of life. I value the friendships I’ve made along the way even though I will always disagree with many of my friends on the important issues of the day. I wouldn’t have it any other way.

I don’t want to live in a world where everyone agrees with me. That would be a strange place and no fun at all. Life is better when your ideas are challenged and you are exposed to ideas on all sides. Many of the opinion writers I read are people I rarely agree with but their arguments are so well written I can’t resist. Also, how will you learn to defend your ideas unless they are challenged by worthy adversaries?

Also, human beings are complex, many-sided beings. The person who may be very conservative on one issue may be very liberal on another. No one worth knowing is a completely blank slate of ideological talking points. No one with a sound intellect can be pigeon-holed into a stereotypical ideological bracket on every matter.

There’s nothing wrong with despising someone’s ideas or speaking your mind when it’s appropriate. But trying to pick and choose your friends by an ideological litmus test will lead you to quickly paint yourself into a corner. 

Wednesday, March 23, 2016

Top five people it’s OK to punch in New York City


There’s been a lot of discussion in the news of recent political violence in this country. Scuffles have broken out at political rallies between protesters and supporters of rival candidates. Protests have gotten ugly. The overwhelming majority of Americans deplore violence of all kinds.

We’ll have no shortage of political ugliness in New York. Some of it has already gotten under way in earnest. But our Gotham is full of human abominations that people of all political affiliations can agree ought to be subjected to swift and brutal physical punishment on sight. Here is a catalogue of the top five worthy subjects:
People who stand on the left side of the escalator. Sometimes people don’t realize that they have committed this infraction and there are people who come to New York from parts of the world where escalators are rare (watching Haitians attempt to board an escalator at JFK airport was an eye-opening experience), and they are usually sensible enough to move aside when you say “excuse me.” But some people think that an escalator is an amusement park ride, and they ought to have some common sense and manners beaten into them frequently and without mercy.

People who read their smartphone, kindle or book while walking. You can see these zombies a mile away and each one of them thinks they are the rare exception that can pull it off and not be that plodding imbecile impeding the progress of our precious Gotham. They are wrong. Trample them underfoot. They are not fit to live here.

People who use public transit seats for their luggage. Unless your purse or backpack paid $2.75 to ride this crowded bus or subway, let it sit on the floor or on your lap, or else you will find a host of volunteers willing to cram it up your ass.

Cyclists who ride on sidewalks, run red lights and ride on the wrong side the road. It is never these rancid, entitled brats who are dragged to their deserved deaths by garbage trucks or city buses, but it should be. If I’d go to jail for doing it with a car, don’t you dare try it with a bicycle. What’s most galling is when they yell at pedestrians to get out of their way as they are preparing to run a red light.

People who listen to music or watch videos in public spaces without earphones. Some people are not content speaking on their cell phones in theaters, they want to bring the theater experience with them and everyone within earshot. Simply inform these people that their earphones must be broken since you can hear their sports event/Chinese soap opera/rap mix tape, etc. If they don’t get to the hint, see to it that their devices and jaw is broken as well.

Can we all get along? Yes, we can all agree that some people need to learn some manners. New Yorkers can unite around these common enemies. 

Wednesday, March 16, 2016

Getting our Irish up ahead of St. Patrick’s Day


St. Patrick’s Day is the time of year when everyone wants to be Irish for a few hours and their definition of being Irish is being an obnoxious drunk. There are actually a lot of nice things about being Irish and Ireland has given us a lot of great things besides a love of the drink.

Among the many positive contributions the Irish have made to the world is music, and around St. Patrick’s Day every year a litany of Irish groups come through the Big Apple to quench our thirst for authentic Irish art.

The Chieftains have been popularizing traditional Irish music since the 1960s and with some luck of the Irish and the busy schedule of generous in-laws, my wife and I scored tickets to see them at Town Hall in midtown Manhattan.

Most of the crowd at the show were well-dressed middle aged people like me or older. I thought I might be overdressed but I wasn’t, which confirms yet again I’ve reached middle age where I can blend in with a crowd that used to look old to me.

But sitting behind us was a loud, possibly drunk, but definitely rude women who acted as if she were in her living room, talking loudly and even shouting ahead to a woman seated in the row ahead of us. After sitting through several songs listening to this absurdly inane and incredibly impolite chatter, my wife asked her to keep her voice down.

The woman took great offense and spent the rest of the show muttering under her breath about how she planned to confront my wife. ‘Go ahead lady,’ I thought to myself. ‘It’s your funeral.’

The Chieftains put on an outstanding performance. They’ve had many celebrated collaborators in the past and had an impressive cast of guest musicians and dancers joining them throughout the evening. A good time was had by all.

Once the show was over and the lights went up, the woman told my wife that she had no right to ask her to be quiet, that the show was for everyone to enjoy and some such malarkey. My wife told her in no uncertain terms that she was wrong and needed to learn some manners. The woman, embarrassed to be called out for such puerile behavior, wouldn’t let go. But my wife can dish out whatever you send her way. The woman’s friends were horrified and did not want to see their friend get thrashed by a visibly pregnant woman.

One of her friends motioned to me and implored me to get my wife out of the building. I told her it was her friend that needed the help, not my wife. The rude woman’s friends eventually corralled her and we all went our separate ways.

No punches were thrown, no chairs hurled through the air. I’m glad for that, though I think it would have been great to watch my pregnant wife knock out this nasty shrew of a woman. I’d take a video of it and then yell, “WORLDSTAR!!” and post it to WorldStarHipHop web site, a popular place to post videos of altercations.

In the end we walked out into the sweet Spring New York night and walked to Times Square, where my wife once reminded me that sometimes you have to enjoy being a tourist in your own city.

We will survive the stupidity of this St. Patrick’s Day as we have survived all others, with pride in our Irish culture intact and our tempers only a little bit the worse for wear. 

Thursday, March 10, 2016

My cool Vermin Supreme story



As our American political discourse slides further into the gutter with every new televised debate, it may be worthwhile noting that there are some who saw the satire in our politics decades ahead of time. One such person is Vermin Supreme.

Vermin Supreme, you may know, is a perennial presidential candidate who wears a boot on his head and promises everyone a pony. He’s attempted to turn religious conservative candidates gay by pouring glitter on them and promise to fully fund time travel research.

It was 1992 and as the Democratic primary continued to go on then-Governor Bill Clinton’s only real competition after the early primaries was former California Governor Jerry Brown. Brown was the Bernie Sanders of his day, a more liberal alternative to the establishment favorite who captured the enthusiasm of the younger, more activist wing of the Democratic Party. He swore off corporate donations and set limits on what individuals could donate through a 1-800 number (this was in the days before widespread Internet.)

At any rate, that spring before the New York and Connecticut primaries, Jerry Brown had a rally at the University of Connecticut. This was during my freshman year there. I was a columnist for UConn’s DailyCampus and since I showed up there with a notebook, the campaign staff waved me ahead to the press section where I sat among more serious and established members of the media.

Brown’s rally was at the large theater on campus. The event was well attended and the crowd was enthusiastic. When it was over, I hung out with the rest of the media contingent, most of whom were bored by the whole thing (“Once you’ve seen the candidate’s speech you’ve seen them all,” I overheard one say.) Jerry Brown answered some questions before being whisked over to do a live interview with the local news.

As I watched Brown do the TV interview in the auditorium that was now mostly empty, I noticed a strange figure head down a side aisle unnoticed. He was dressed in a coat made of fur pelts and he had a large boot on his head. He continued walking down the aisle until I lost sight of him. As Gov. Brown wrapped up his interview and hurry away to his next campaign event, I heard a voice amplified by a speaker or bullhorn call out to him.

“JERRY! WHAT ARE YOU GOING TO DO ABOUT THE WEATHER?!? WHAT ARE YOU GOING TO DO ABOUT THE WEATHER, JERRY?!?”

Brown looked over in the direction the voice was coming from but didn’t break stride as he exited the building with a gaggle of campaign staff.

As I stood there I spotted this same strange figure coming back up the aisle. He and I made eye contact and he stopped to address me.

“Another candidate avoiding a question about the weather,” he said, shaking his head. He moved on and I had had the strangest political campaign experience ever.

Years later I saw Vermin Supreme on television and was glad that he hadn’t lost the boot on his head and that he was still engaging in the kind of absurd spectacle that has sadly seemed downright dignified compared with some of our discourse today.


I hope Sid Yiddish seriously considers him for his running mate. 

Wednesday, March 02, 2016

Stuck in Place in New York


New York City right now is a city where people are often stuck in place. Not because they lack ambition or a work ethic, but because the juggernaut of high real estate prices is making life difficult.

I work in an office where most of the people who work there that live within the five boroughs have a commute that is at least an hour on a good day. My commute to work is an hour and fifteen minutes under the best of circumstances and can be significantly longer when things are at their worst. We would all love to live closer to our office, which is in the Flatiron district, but none of us can afford to live nearby.

Even the New York Times, whose primary audience is the more affluent New Yorkers among us, ran a story about retirees who would like to return to the city but can’t because real estate prices are becoming so outrageous.

When I first moved back to New York and was looking for an apartment in early 1998 one of the places I looked for a studio was Wavecrest Gardens in Far Rockaway. They had beautiful studio apartments with ocean views for about $500 per month. There were some drawbacks that kept me away (it would have been a long commute to work and a coworker who moved there said he saw people smoking crack in the stairwells), but the apartments were beautiful and affordable. If prices had simply kept up with inflation, a $500 per month apartment in 1998 would cost roughly $740 today. A studio at Wavecrest Gardens now lists for roughly $1,000 per month today. So rents have moved up at more than double the rate of inflation over the past sixteen years. And for areas that are more fashionable, the increase has gotten even steeper. Parts of Astoria and Williamsburg list small studio for upwards of $2,800 per month, and probably more in some places.

I consider myself very fortunate. I have a steady job with a good salary and my family is healthy and does not want for food, clothing, or shelter. But if we were to try to move to a larger apartment to house our growing brood we would have to take on considerable debt to remain in the same neighborhood, and would not find a place much larger than what we have now for what we could afford.

I have many friends who are bright, hard-working people trying to raise families in safe neighborhoods with good schools. They are not looking for handouts or set-asides. They can’t afford to stay where they are and can’t afford anything else in the area. Some friends and family have fled to New Jersey, some are considering leaving the Northeast entirely, heading to wherever they can make a sound living and provide for their kids.

New York is a place famous for attracting creative people, but creative people need affordable places to live and New York is starting to lose is creative critical mass. Artists and writers don’t need to have the same geographic presence they once did. In the digital age it doesn’t matter if you’re creating your work in New York or Detroit or Tuscaloosa. Most of the Western world downloads its content from the Internet, and traveling to a geographic center to get your work recognized is not as necessary as it used to be.

New Yorkers don’t mind paying a premium to live in the center of Western civilization. And New York is not an anti-capitalist place. It’s the most capitalist place on Earth in many ways. New York is a very tough place to get ahead but at the same time is famous for providing more opportunities than anywhere else in whatever your field of choice. If we want to continue to be that way, then something’s got to be done about the cost of housing. You have to get people to live here and stay a while before they can accomplish things.

If it doesn’t make sense to stay in New York, the middle and working classes will be gone and what will be left wont’ be pleasant for anyone. 

Wednesday, February 24, 2016

We have had too much God in America


In James Joyce’s A Portrait of the Artist as a Young Man, the novel’s protagonist Stephen Dedalus is listening to an argument his father and aunt Dante are having with a Mr. Casey about the place of the clergy in Irish society. The talk was prompted by the scandal surrounding Charles Stuart Parnell, an Irish nationalist leader who was condemned by the Catholic Church. This condemnation set back the movement for Irish independence considerably.

—God and religion before everything! Dante cried. God and religion before the world!
Mr. Casey raised his clenched fist and brought it down on the table with a crash.
—Very well then, he shouted hoarsely, if it comes to that, no God for Ireland!
           
The passage came to mind as Pope Francis, traveling in Mexico, commented that political leaders who wanted to build barriers to illegal immigration were not truly Christian. He was referencing Donald Trump, the current front-runner for the Republican Party nomination for president, who has made opposition to illegal immigration a central part of his campaign.

Who are we to argue what is Christian with the Pope? We’ll take him at his word: building walls instead of bridges is not the Christian thing to do. Trump is a big phony and a blowhard who is not a good Christian. Sure thing, Francis.

Let’s not jump on the Trump bandwagon, but let’s also be fine with giving Christianity the boot in the ass out of public life that it richly deserves.  Let’s be absolutely fine with America not doing the Christian thing; we’ll be a better and stronger country for it.

Building a society around a holy book isn’t a recipe for success. And like many other religious documents, the Gospel of Christ is full of a lot of very bad ideas. Loving your enemies is masochistic. Turning the other cheek only gets you hit twice. The current Pope comes from the Kumbaya school of Christianity that holds that if we all just love everyone enough, we can create a just and peaceful world. Christianity has (in theory at least) been trying this for more than 2,000 years, I think it’s safe to say it doesn’t work.

Where are the secular social-justice warriors telling the Pope to butt out of our national debate on immigration and sovereignty? Where are all the self-proclaimed “male feminists” objecting to the import of thousands of the unenlightened?

The Christians who are promising love and world peace are just as delusional and self-righteous as the ones threatening fire and brimstone. Both camps will gladly lead us to ruin, if not by the Christian right’s aversion to science and obsession with gays and abortion then by the Christian left’s naïvely embracing those who would destroy us.

Donald Trump is a fraud and a buffoon, and he’s not the answer to our national question. But for all Trump’s idiocy, his campaign understands this simple fact: if you don’t have real borders, you don’t have a real country.

We cannot solve the world’s problems by inviting people from all corners of the world to come live with us. There are other ways to help that won’t harm our country. Any charitable efforts ought to be tempered with a measure of rational self-interest.

Our well-meaning religious friends think that they are doing God’s work and that the magic of their good intentions will somehow turn bad people good and make everything OK. I wish them luck with that, but these beliefs are not a basis for a responsible immigration policy. As a country we need to be the adult in the room. 

Thursday, February 18, 2016

Monorail!


New York Mayor Bill de Blasio announced his idea to put in a light rail that would connect Brooklyn and Queens. With the exception of Red Hook and Sunset Park, his light rail system would not be bringing public transit to places that need it but rather add additional tourist glut and uber-gentrifying cachet to areas already overpriced and tourist heavy.

The idea sounds great at first. The public transit system in New York is abysmal and the outer borough are woefully underserved. To get from Southern Brooklyn to Northern Queens would require a lengthy detour through Manhattan or an epic journey of Byzantine bus transfers that would see you grow old or give up on life before you were halfway there.

The proposed rail runs only along the East River waterfront of Brooklyn and Queens. Some of these areas, such as Astoria, Queens and Williamsburg, Brooklyn, are already served by rail system and there are not too many people commuting between Sunset Park and Astoria.  

With our subway dollar stretched thin and the MTA constantly cutting service while increasing fares, de Blasio says he’ll rake in the $2.5 billion he needs to build this light rail system from the increase in property tax that will result from the light rail being built. So he’ll wring money out of rich people who will somehow welcome this sorry trolley outside their homes and this will help the working class people of Red Hook and Sunset Park commute to Astoria where there are no good jobs waiting for them.

Whatever de Blasio’s motives or likelihood of the light rail system coming into being, the issue highlights two central problems of New York City transit: Our transit system is very Manhattan-centric to its own detriment and New York City does not have enough control over its own transit system.

The Metropolitan Transit Authority, though it generally serves New York City, is controlled by New York State. Whatever we need to do here in the five boroughs has to pass through several gatekeepers in Albany. The bureaucracy is twice-removed from the systems it operates, and it shows in every step of the system’s operation. The New York City transit system is among the most extensive in the country and it runs 24 hours, but that’s more of a remark about how sad the state of public transit is in the U.S.A. rather than a statement about how good New York City’s transportation is.

Every weekday morning I give myself an hour and a half to travel 11 miles, and I’m sometimes late. My first day back at work this year after the holidays, it took me more than two hours to get to work, even after I left the subway in disgust in Jackson Heights and took a cab the rest of the way to work.

New York City is comprised of 304.6 square miles and Manhattan comprises only about 33 of them. I have nothing against Manhattan and it makes sense for it to have a large transit infrastructure to deal with commuters going to work every week, but this leaves the most of the city underserved. Even many parts of Manhattan are not well served by the subway system – the Second Avenue subway has been a running joke for decades. They expanded the terrible 7 line so that people can go to the Javitz Center with greater ease – well not with greater ease since it involves having to take the 7 train. That the 7 train is an overcrowded clusterfuck in every way imaginable doesn’t seem to be on anyone’s radar to fix.

This latest proposal from the mayor looks like it will go the way of so many well-intentioned and poorly planned transit fixes. When it gets built, if it gets built at all, it will be way over budget and of limited usefulness.

I wish I could be more hopeful, but the line as planned will not go into any of the parts of the outer boroughs that are not served by a rail system, so the people still unserved by our subways will still be out in the cold, waiting for the bus. 

Wednesday, February 10, 2016

Chasing down the last vestiges of punk rock youth


The other night I left home to walk to the Parkside Pub in Whitestone, Queens to see an excellent hardcore punk rock show. I love punk rock music and this show was so close it took only a few minutes to walk there. I have loved punk rock for a long time and knew some of the bands that were playing from playing with my own band, Blackout Shoppers (currently on hiatus).

It was late and I didn’t have a lot of time to spend there, but as I set out I noticed an envelope that needed mailing, so I figured I could drop it in a mailbox on my way to the show.

Publisher’s Clearinghouse is a shitty lottery that only requires you mail back a form. Of course my chances of winning are next to zero, but instead of spending two bucks on Powerball I spend only the price of a stamp. That’s a very low-cost form of gambling, though it does come with the added humiliation of having your name on a Publisher’s Clearinghouse envelope.

I didn’t run across a mailbox until I got the block that the Parkside Pub was on. How can I show up at a hardcore punk rock show with a Publisher’s Clearinghouse envelope? Would that make me a horrible old poser? I had no choice. Those Publisher’s Clearinghouse millions are destined to me mine. If I win enough money, I’ll spend part of my fortune on starting a new non-profit arts venue in New York City that will feature punk shows. As I neared the show, I hoped no one would see me drop the sweepstakes envelope into the mailbox. No one did, or at least had the kindness not to call me out on it.

It was glad to see the show was packed. There were people there old and young and the bands were excellent. It was great to see friends from many different bands there. Some of them are my age or even older and many of them also have kids.

Being a parent with serious bills to pay and a job that requires long hours means I don’t get to very many concerts anymore. So any time I can steal away for a few hours and subject myself to the full blasting fury of as much aggressive music I can take.

The show at the Parkside did not disappoint. The bands were excellent. And even if they hadn’t been, it was worthwhile to see people you haven’t seen in a while. There are a lot of people that I know and love to see but only see them in the context of going to shows.

There are people like my friend Pete, who I ran into at the show. I have known Pete for years but don’t know his full name and couldn’t tell you what he does for a living. I’ve seen him at numerous shows for my band and others. I’ve spent hours talking to him at bars and on sidewalks outside of music clubs. I know he lives in Douglaston, Queens and used to have a girlfriend named Nicole and he loves punk and metal music, and that’s all I need to know. We love the music and the scene around it and so it doesn’t matter what we may or may not have in common.

Because while the band one plays in may not last, the friendships and the love of music will endure. People have been writing punk rock’s obituary since the 1970s. It’s still here. And as long as I can stand on my feet, I’ll make it to shows from time to time. No regrets. See you there. 

Wednesday, February 03, 2016

Real New Yorkers root for the Knicks

There are now two National Basketball League teams within the borders of New York City. The Knicks have been here since 1946, the Nets moved to Brooklyn from New Jersey in 2012. Neither team is doing very well right now, but only one is worthy of your support.

The Knicks are the city’s loveable losers. We got to the N.B.A. finals in 1999 and lost in five games and haven’t come close to that level of glory since.
I was lucky enough to get to a Knicks game not long ago. It was for work and we had great seats. The baseball owner Bill Veeck said a fan’s knowledge of the game is inversely proportional to the price of their ticket and that holds true in basketball as well as baseball. Although Spike Lee probably knows – and I don’t think he was there that night – no fan within the first 20 rows could probably tell you who the Knicks all-time leading scorer is (Patrick Ewing—I had to look that up). These were valuable seats and I wouldn’t have sat there if they hadn’t been paid for by a corporate client that was footing the bill.

People showed up late and left early; that’s not how you should act when you can see the hypnotic pattern on Walt Frazier’s bold brown blazer and see the pained expression on Kristaps Porzingis’ face when he fouls out. If you’ve spent that kind of money on tickets, get there on time.

At any rate, we were lucky that night in that the Knicks actually won the game. It was in overtime and the game seemed to stretch on forever as the Utah Jazz repeatedly fouled the Knicks in order to get possession of the ball (this is a common basketball tactic that rarely helps a team win a game but succeeds in boring the shit out of fans). But the Knicks finished with the win.

The Knicks are New York’s loveable losers on the basketball court. They find new ways to break their fans’ hearts every year, but they are our team. Now some fair-weather fans are supporting the Brooklyn Nets. Since Brooklyn is trendy and the Nets play in Brooklyn, it is fashionable in some circles to support this farce of a team. That they have sleek black and white merchandise I’m sure helps.
Nowhere in sports, until ISIS starts fielding a hockey team, is there a better example of a team that deserves to fail than the Brooklyn Nets. The Nets play in the Barclays Center, which is part of the notorious Atlantic Yards project, a billionaire’s boondoggle that forced middle- and working-class New Yorkers from their homes. The State of New York invoked eminent domain to force people to sell their homes to shady real estate developer Bruce Ratner, who paid off local activist groups to support the effort. It’s a shameful chapter in the city’s history and the Barclay’s Center is an ugly eyesore that is a testament to our sordid age of corrupt politics and the worst kind of crony capitalism.

I don’t care how much the Knicks lose, wearing a Nets jersey is about the most un-New York thing you can do. The Knicks can lose every game between now and 2053, sacrifice puppies center court and I’ll still root for them over the Nets.

But don’t take my word for it. Watch a Knicks game on television and I’m confident you’ll be convinced of their authenticity. It doesn’t matter how much you lose, it’s how you keep fighting and show character that counts. That’s what real New Yorkers do. 

Wednesday, January 27, 2016

New York City Never Quits


New York City is the city that never sleeps and never shuts down. It take events of epic proportions to knock us off of our game, and even then nothing is ever completely deserted. This is, after all, where the world takes its pulse and sets the pace for Western Civilization, and we take that task seriously.

New York is digging itself out from a winter storm that hit us on Jan. 23. It was as if we got all our winter weather in the span of about 24 hours. When winter started this past December, we had spring-like weather. Seventy degrees on Christmas? That’s bullshit. Old Man Winter got his revenge in a big way and buried much of the East Coast in a blanket of snow. For New York City, it was the second-largest snowstorm on record in the city’s history with more than two feet of snowfall recorded in Central Park.

Preparations started in earnest with people watching the weather reports and making jokes about stocking up on bread and milk as they made sure to stock up on bread and milk. Anyone who had plans for the weekend canceled them if they could, but it was heartening to see from social media that some things didn’t stop.

It was also heartening to see worthy displays of “New York Values” in dealing with the severe weather. The term “New York Values” has recently become an issue the 2016 presidential campaign, with Texas Senator Ted Cruz using the phrase as a smear against Donald Trump. I’m as cynical and jaded as any other long-time New York resident, but there was enough cooperation and good will on display during the storm to shame any friendly Texan. In the parking lot of our apartment building, one of our neighbors helped shovel out part of our truck. We returned the favor by helping shovel out the car parked on the other side of us, with a shovel lent to us by another neighbor.

My social media feed was littered with stories of neighbors helping neighbors with shovel and snow blower alike. A photo of a team of good Samaritans pushing a stranded ambulance out of a snowbank in Manhattan was enough to warm the heart even as your fingers and toes became numb.

City living makes people into blazing assholes, but it also makes people into cooperative souls out of point-blank necessity. When you are surrounded my millions of people, living life isn’t possible without some measure of cooperation. It may take a while to understand the ebb and flow of city life and plug yourself into it in a way that both preserves your sanity and allows you the boldness and hustle to get things done. New York rewards a certain level of aggression, but even the strongest of the strong cannot get by without a certain degree of give and take, there’s just too massive a crush of humanity to fight everyone to the death over every trivial slight. 

Now as we look to get our work week underway, we all expect some of this city camaraderie to sublime like idle snow as we navigate an already overtaxed and incompetently run transit system in an attempt to get to work on time. Wish us luck. 

Thursday, January 21, 2016

Sid Yiddish for President


Sid Yiddish is a Chicago performance artist who is runningfor president as a write-in candidate. He describes himself as a “Lincoln Republican” though his politics are more in line with the Democrats, but you are welcome to write him in on whatever ballot you choose; he’s not picky. He is the only candidate promising to invade Denmark.

Why Denmark? “Because it’s there and because I can,” he said. He has performed in Denmark but did his first show with Danish musicians over Skype for the Chicago Calling Festival in 2009. He travels the U.S. frequently. This Friday, Jan. 22 (2016) will find him in Kansas City, Missouri at the Poetry & Absinthe Open Mic at the Uptown Arts Bar.

Sid Yiddish usually dresses like a kind of mischievous cantor, as if The Rocky Horror Picture show took place in a Catskills summer camp or if Fiddler on the Roof was an avant-garde punk rock opera instead of a Broadway musical. With a prayer shawl and Kittel – a traditional garment worn by orthodox Jewish men and a face mask, he both pays homage to and satirizes Jewish heritage with his appearance. When he appeared on America’s Got Talent, Howie Mandel called him a “Hasidic Lone Ranger.”

A Sid Yiddish performance is always an eclectic ensemble of songs, poems, comedy and compelling noise. Each performance will usually involve some form of Tuvan throat singing, which sounds like it is painful to do and can rattle the uninitiated. He often performs with a band, the Candy Store Henchmen. With connections in various cities, his auxiliary of Candy Store Henchman can be summoned to perform on short notice and very little rehearsal.

[Full disclosure: I have known Sid Yiddish for several years and have performed in the New York City version of his Candy Store Henchmen. I met him through MykelBoard, who had the wisdom to write about Sid much sooner.]

His presidential campaign is his latest effort in reaching out to the world. His platform includes heavy support of the arts. “I believe schools should cut sports from schools and give all their money to the arts.” He would also buy everyone a new pair of shoes and hand out bubble gum with good comics in them, not the shabby comics that have become the standard today.

He has extended his reach through some small acting roles. He appears briefly in a Ludacris video and recently hada bit part in the Showtime show Shameless, which stars William H. Macy. There’s an online petition to make Sid a recurring character on the series.

While he revels in his outsider status, he makes an effort to make each show as interesting and participatory as possible, inviting audience members to join his band and play instruments if they choose, even if that instrumentation consists of banging on a table top or tapping a beer glass.

He’s devised a series of hand signals that instructs the band on what to play. One gesture means to stop, another gesture means a free-for-all, other gestures mean other things. If you play the wrong thing, he doesn’t ask you to change, he just may be a bit more emphatic with his gestures. No two Sid Yiddish shows will ever be the same and he likes it that way.

Sid Yiddish describes himself as a late bloomer and suffers from depression. His past is littered with sad memories of where clinical depression can lead. He hopes his work can reach people and help encourage those who also suffer from the disorder. To him, being a performance artist is a redeeming experience that puts him on a good path and colors his worldview. “It feels like I take LSD without taking LSD,” he notes.

His music and acting takes up a lot of his time and he is interested in going to another audition for America’s Got Talent. “I’m a renaissance man, a Jack and Jill of all trades. No one can put me in a category; you can’t pin me down. But sometimes I’ve felt that I’m spreading myself too thin.”

The world has given up a good bit of the civility and thoughtfulness that was more commonplace when Sid Yiddish was growing up, and he offers himself as a one-man protest against that. Instead of waving his fist at the world, his hand gestures conducts a motley crew making avant-garde punk rock symphony. He can take your rejection; he’s faced it all before and just keeps coming back, serving as a reminder that the act of creation and expression is sometimes all that matters and all you have left. 

Wednesday, January 13, 2016

Outer borough arts explosion

I recently went to a friend’s art opening at Q.E.D., a small art space in Astoria. Going to a friend’s art opening made me feel like I entered a proper adult sphere of being a creative person. Luckily Q.E.D. is as unpretentious as an art space can get without being a punk rock venue or a squat of some kind.

My artist friend, Michael Harper, is a former drummer for my band Blackout Shoppers and has played with Furious George and other punk groups. He is a far cry from the obnoxious snob you would expect to find having their work displayed on the walls of an art space in New York City.

But that is one of the good things that is happening in the city right now. While the high price of real estate had driven many good art and music venues out of Manhattan and the established art world is horrendously pretentious and completely out of touch with aesthetics and real value, the outer boroughs have responded by adapting and setting up their own respective art, literature and music scenes.  Astoria’s Q.E.D. has comedy shows, open mic for poetry, music and storytelling. It hosts performances as well as classes—it is even hosting a Burns Night lecture—all days of the week.

More and more space like this are starting to open up in all of the outer boroughs. The kind of art spaces that used to proliferate our central borough can no longer generate the money they need to stay afloat. There are a few notable exceptions, such as the Lower East Side’s ABC NoRio, that have been around for a long time and manage to stay afloat with government grants, smart fundraising and a thrifty, DIY spirit. But these venues are very rare now. Those kinds of places are now in the other four boroughs.

One caveat to this is that Brooklyn has become so popular and overpriced that it is an outer borough in geography only – it long ago took on the same level of pretension and established demand that has long plagued Manhattan. This wasn’t always the case, of course. Before Williamsburg was the shit show of hipsterdom it is notorious for being today, it was a bad neighborhood where artists and writers fled to after being priced out of Manhattan. Parts of Brooklyn remain a haven for artists today, though time is running out for them even in the farthest reaches of the borough.

And New York’s outer boroughs have always been epicenters for the arts. Jack Kerouac wrote his first novel in Ozone Park, Queens. Louis Armstrong lived in Corona. Stanley Kubrick and Ace Frehley are from The Bronx. Matthew Brady, The Wu-Tang Clan and Blackie Lawless of W.A.S.P. hail from Staten Island. New York both attracts millions of creative people and produces great creativity among its natives that there is no neighborhood in the city that has not seen a glimmer of artistic greatness in some decade.

We can do nothing to roll back the clock and stop development and real estate price inflation, but like the good people of Astoria and elsewhere, a great art space is wherever you can make one. The outer boroughs are carving out space for the future of the arts in New York City.  

Wednesday, January 06, 2016

2016 will be a good time to be a New Yorker

We can argue about the direction that the city is going and what our fortunes are as a city. That argument has been raging since the 1600s and won’t ever end. But whatever you think about the direction that New York is going, there are things to look forward to in this New Year.

Here are some of them:

Giant dinosaur exhibit at the American Museum of Natural History. The Natural History Museum is one of the best places in New York to visit. The Hall of Marine Life alone is a full-bore Yankee assault on the senses guaranteed to tattoo good memories into your brain. Like the Metropolitan Museum of Art, it is a place you will be at peace wandering for hours. You will discover great things and expand your mind. But if you can handle the crush of tourists that will be at the new dinosaur exhibit, it’s coming this month. At the center of the new permanent dinosaur exhibit is a 122-foot cast of a Titanosaur, a giant herbivore that would have weighed up to 22 tons when it was alive.

The 100th Anniversary of the Irish Easter Uprising. As a long-time epicenter of support for Irish independence and Irish republicanism, New York will no doubt see commemorations of the 100th anniversary of the Easter Uprising, when a few dedicated Irishmen and Irishwomen pledged their lives and honor on the cause of an independent Irish nation. Many of them paid with their lives. A century later, the dream of a united Irish republic is still unrealized, though the violence in the North of Ireland has for all purposes ended. But just because the Troubles are over doesn’t mean there is real peace or a viable political solution. The Irish have invested in peace for nearly two decades now and Ireland is no closer to unity than it was in 1969. What now? Look to places like Rocky Sullivan’s in Red Hook, Brooklyn to host some interesting events.

Bombastic U.S. political theater. If you can forget that the presidential race might be important to the future of our country and the world at large, then this year’s presidential contest makes for stunning political theater. As of now the campaigns of the two presidential candidates leading in the polls, Donald Trump and Hillary Clinton, are based in New York, and if they each get the nomination of their respective parties, the Big Apple will be a political circus like never before. I would love to see both of them lose their nominations, but at it looks to me like Hilary Clinton will have a lock on the nomination (don’t take my word for it though, I thought she was going to get the nomination in 2008 and lose to McCain). Although we won’t see much actual campaigning in New York City—our state is usually a safe bet for Democrats—that one or both campaigns may be based in the five boroughs makes our city a player in the national race.

An extra day. This year is a leap year, which means February will have 29 days instead of 28 days. That gives you another day to enjoy New York and make the most of your life. Don’t waste it. 

Happily out of the pop culture loop

Judging by what I see on my much-too-frequent perusal of social media, many of my friends and acquaintances have taken great lengths to see the latest Star Wars movie. I’ve read some excellent reviews and fully intend to see it, but this may be the first time I have not seen a Star Wars movie in the theater. It’s not because I don’t like Star Wars, it’s because I no longer put the same value or effort into pop culture.

I am the oldest person in the small office where I work. I’m even a few years older than the manager, my boss. I work with people who were born while I was in high school or college. It makes me feel old. Very few of them own a SLAYER CD, if they own CDs at all. I recognize some of the names of the people or musical groups they say they listen to, but I’m definitely plugged into another era. This summer my wife and I were talking to her teenage niece about what music she listens to. She mentioned several popular bands that played large venues and I had never heard of any of them.

I am not attuned to what is popular with today’s teenagers and young adults. And I’m perfectly fine with that. I am glad that I’m out of touch on these things and out of the loop, and not because today’s pop culture is all crap and the pop culture of my time was so much better. I watched MortonDowney Jr. and listened to Howard Stern habitually when I was a teen and young adult, I honestly have no business looking down my nose at people who follow the Kardashians (but I still do).

One can make the argument that that pop culture of today is overly sanitized and bears the telltale signs of patchwork social engineering. Because our society’s mass media is trying to appeal to a multitude of cultures in a divided and tribal world, any cultural authenticity has been discreetly purged from it. But pop culture is always a remnant and a reflection of its times, and human beings have a tendency to romanticize the past.  

Being unfamiliar with today’s popular culture doesn’t bother me because I ought to be spending my time more wisely than familiarizing myself with it. There was a time that I was very much immersed in pop culture, but life goes on after high school and college.

It’s a natural part of aging, to be out of touch with the latest in pop culture. If I was well-versed in what is trendy among the younger generations, I’d be a pathetic middle-aged clown desperately trying to cling to some shred of youth. I want no part in that. Acting your age is part of embracing life and living it to the fullest.

The music I listened to and the movies I watched when I was steeped in the pop culture of my time are now decades old and being rehashed for profit. I don’t want to spoil the memories I have of those times by trying to relive the days of my youth with self-congratulating sentimentality. I don’t need to see a movie about N.W.A.’s Straight Outta Compton album; I had the album on cassette when it came out.

Let’s not be close-minded and refuse to pay attention to worthwhile contemporary art and culture, but let’s be comfortable with who we are and with our stage in life. 

Wednesday, December 16, 2015

The horror of finding yourself using corporate speak

Though I have been subjected to it for many years, it’s only been in the past year that the language known as “corporate speak” has been creeping into my vocabulary. I must make it stop.

I switched jobs a little over a year ago and moved from the thankless ranks of financial journalism to the thankless but better paying ranks of financial public relations. For years as a journalist I waded through corporate euphemisms and double talk. A journalist’s job is to cut through corporate speak like an explorer cuts through dense jungle. I didn’t loath public relations people, I just knew I could not sound like one when I spoke or wrote if I wanted to be taken seriously.

I vowed to myself that I would not let this nonsensical and vacuous vocabulary creep into my speech, but in some ways it has. There’s no prohibition from sounding like a corporate automaton because now I work in public relations and corporations pay our salaries. Corporations paid my salary when I was a journalist also, but those businesses were depending on me NOT sounding like a corporate mouthpiece in order for my work to me marketable.

Now I AM a corporate mouthpiece, whether I like it or not. None of the companies I serve through my public relations job are ominous monoliths that are trying to cloud the truth or cover up any wrongdoing; they are for the most part small entrepreneurial companies doing some interesting things, but they are companies that expect us to be their representatives to the media. We have to be the bridge between the corporate world and the jaded, skeptical world of journalists and we have to sound the part both ways.

Whenever you speak with someone, you want to sound like you belong, like you understand where they are coming from. If everyone’s slinging the same corporate bullshit, they’re establishing a rapport in some small way. In agency public relations, you are not only selling your clients to media, you’re constantly selling yourself to current and potential future clients. Thus you have to sound like you could fit in at a corporate board meeting, and that’s easier to do when you shovel two-cent words around like so much manure.

So as a writer who takes pride in my ability to find the right works for any situation and a human being who decided long ago to embrace reality-based life, it horrifies me to find myself using corporate speak in any non-ironic capacity.

It’s only happened once or twice, but no matter. Like Ebola or cancer, corporate speak must be wiped out entirely if you wish to survive in the reality-based world.

The one phrase I’ve been guilty of using is “next steps” as in “we’ll discuss next steps” instead of saying, “we’ll talk about what to do next” or “what steps to take next.” Another word that’s lapsed into corporate speak is “leverage,” such as “let’s leverage our resources to gain media traction.” In my own overuse of the word “traction” regarding how to get media attention, I risk making that corporate speak. Now both lever and traction are real words that wouldn’t be corporate speak at all if you were talking about pulleys, debt or driving over snow, but when applied to business situations and overused, they become corporate speak. There are damning lists of useless and pathetic phrases that comprise corporate speak. The list is always evolving.

There are a lot of things I am willing to do to provide for my family. I’m willing to read work emails on the weekend, endure mind-numbing meetings and phone calls that should have been emails, write trite crap about boring topics and be courteous to asshole clients. But I won’t become a corporate speak user. I have my limits.

So I resolve here and now to avoid corporate speak and expunge it from my vocabulary. I will be a better person for it.