Book rescue in Queens and its vortex of unknows

 

I was cleaning out my motor vehicle, disposing of a handful of parking meter receipts that accumulate on the dashboards of cars in large American cities. As I deposited my trash in a receptacle, an open book nearby caught my eye.

Someone had dropped or thrown a book, and it had landed open against a curbside trash shed outside a co-op. It was an odd place to see a book, and it looked like it was thrown from a moving car or dropped out of bookbag that was being kicked down the street. I retrieved it.

The book, “Who Put This Song On?,” by Morgan Parker, was in good condition considering its rough treatment. Upon inspecting the book further, it bore a label on its back cover that read “FLUSHING HIGH SCHOOL LIBRARY.”

Flushing High School is a mile away from where I found the book. I made a note to return it. No book should be homeless, and someone may be looking forward to reading that, or may not be able to afford whatever fine may be levied for losing it.

A host of possibilities flooded my mind regarding how the book came to rest upon the sidewalk a mile away from its library home. Did someone steal it and try to throw it in the trash bin? Was a student carrying this when they were attacked by a kidnapper or serial killer, and the page was open to a passage that would reveal the whereabouts of the victim or give a clue as to the motive of a brutal killing? Am I now a suspect in a kidnapping or murder that has not been made public yet? Or will I be considered a cringeworthy thief, found with a book stolen from a local high school?

I made it my mission to return the book as soon as it was convenient, lest I be unwittingly caught up in these mysteries, but more likely, that the book can continue to be enjoyed by students. I was prepared for whatever grilling I would receive when I brought the book back—I can explain my fingerprints on the book were from finding the book, not stealing it or doing anything untoward to whatever student checked it out.

I set about my task taking a public bus to the high school, arriving in the afternoon after classes were over for the day. I tried to look as assuming and non-threatening as possible while carrying a book clearly geared toward young women.

Flushing High School is on a nice green campus surrounded by the dense vertical sprawl of downtown Flushing, Queens. It’s an oasis of beautiful architecture and calm grass and trees amid the rapid overdevelopment of a city fueled by commerce without a thought for beauty and cohesion. I hope it fights to the death to stay the way it is.

My returning the book was anticlimactic. I stepped into the front entrance of the school and handed the book to a school safety officer behind a desk, who thanked me for returning it. I walked out of school and enjoyed the walk home, having done my good deed for the day and rescued a book from oblivion.

Doing our part to save The Strand

 

There are some places wherever you live that you take to represent an important part of your life. Maybe a restaurant where you always go or a movie theater where you saw your favorite movie for the first time. Whatever the reason, these are places that you sentimentalize, maybe sometimes to a fault, because you identify them so closely with good memories.

One of those places for me is The Strand Bookstore. It was one of the first places I frequented when I began living in New York City as an adult.

At some point on just about every weekend I had off (I had to work most weekends), I would make a visit to The Strand a part of my routine. I would never fail to come home with a big bag full of books, sometimes two big bags. Wow, Crime and Punishment for only $3.99—how can I not buy that?? At some point I ended up with two different paperback copies of Anna Karena and gave one copy to a friend.

The Strand would be buzzing with people and I would spend hours wandering its cramped isles. I had a routine of starting with browsing the outside cheap bins (books for as little as 48 cents; it would be a crime not to rifle through every row of books) and making my way through the store, spending most of my time in the fiction section. Years later, I got to meet my guitar hero, Steve Jones of the Sex Pistols, when he did a book signing event for his memoir ‘Lonely Boy.’

But like many parts of my early life back in the city as an adult; I frequented The Strand less and less. At the time of the pandemic lockdown in mid-March, my time in Manhattan mostly consisted of sitting at a desk in the financial district or midtown and then getting home to Queens as quick as I could. I would occasionally go to a concert or local punk rock show, but those got fewer and farther between. The Strand has a kiosk in Times Square close to my job’s offices there, so I would get a chance to buy some books and a ‘Make America Read Again’ refrigerator magnet. But I ceased being a regular customer.

With the pandemic comes rafts of closures of institutions we thought would continue to be with us, at least through the duration of the virus. This was supposed to be over by now, but we can’t get our shit together enough to contain COVID-19, so things are still ground to a halt.

Recently the owner of The Strand bookstore issued a plea for help from the public to save it from closing. People responded, lining up around the block to buy books at the fabled institution or ordering books online from its web site. 

The Strand is a landmark, but being a landmark is not enough. Many friends point out that other important cultural institutions, such as CBGB’s, did not survive to see the pandemic. Other places with deep histories have also not survived.

And The Strand’s ownership has not been entirely forthright. Earlier this year the owner accepted $1 million in in loans and still laid off workers while buying millions in stock, including more than $100,000 worth of Amazon shares. The Strand made a public show of its support to progressive causes while turning a blind eye to the plight of its own workers, so an important part of the store’s natural constituency is either indifferent or hostile to its future.

But an institution can be more than the sum of its owner’s conduct. I have loathed how the New York Yankees’ ownership tore down the House the Ruth Built and treats its fans like absolute garbage, yet I cannot bring myself to disavow the Bronx Bombers. We can detest the people who run our country and still be patriotic Americans. Do we owe The Strand loyalty for all that it has given us, despite the lack of principles by its current owner? I feel a loyalty to this great bookstore, though I understand those that don’t. 

I yearn to lose hours of time in a bookstore again; to get the warm ego boost of a Strand cashier complimenting my choices, to amble to the subway laden with more tomes that will add to the ever-expanding walls of books in my home. Those days cannot come soon enough. In the meantime, I will do what I can to help keep the miles of books going.

 

 

There is no such thing as too many books

“The reader, the booklover, must meet his own needs without paying too much attention to what his neighbors say those needs should be.”

—Theodore Roosevelt

“We need to make books cool again. If you go home with somebody and they don't have books, don't fuck them.”
― John Waters

When I first moved back to New York City as an adult, I made it a point to make regular pilgrimages to The Strand to stock up on books. There was no way I could manage to leave there without several bags of books.

My small studio in Queens had two windows that looked out over a bus stop on 101^st. Avenue and Woodhaven Boulevard. One of those windows was home to my air conditioner, the other window became my extended library. I already had a hutch bookcase filled with books but as my trips to The Strand and other bookstores multiplied, I needed more space for my books. Soon I was picking up plastic milk crates I found on the street to use as bookshelves. Then I acquired more milk crates, and soon had to double-stack books in them. More than once I found a great deal on a classic book at The Strand and bought it only to find that I already had that book at home.

When I moved to new apartment a few years later, I had space for actual bookshelves and bought four of them. They were quickly filled.

No longer single and free to binge at bookstores, my wife and I are now in the process of trying to make more space in our apartment for our family of five. That includes making more space in our living room, which currently houses most of our books. It is not an easy task.

It is not easy to part with books, nor should it be. Each book is an adventure waiting to happen, to give away a book without having read it is to deny a future possibility, a potential new thrill or idea. To turn away from books is to turn away from inspiration, from moving dreams and a new way of looking at life. Books are the lifeblood of the soul, and the building blocks of a civilized society.

Some purists may not forgive me for trying to adapt to the confines of space in our urban environment and using a Kindle. I know, I know: there is no substitute for the printed page, and the satisfying heft of a hardcover tome cannot be replicated by any electronic device. I agree. But as a commuter it is helpful to be able to read things with one hand, and while I would love to fill every spare inch of wall space in my apartment with shelves full of books, my kids need space to sleep and play. The Kindle has been a great evolution in the reading life if you can adapt to it. Some die-hards will not have it and I understand. If space and convenience were not factors, I’d be there.

But I have not given up printed books altogether. I will buy printed books when I can and use the Kindle as much as possible as well.

My collection of printed books will continue to grow, albeit a bit slower than in my bachelor days. My children are growing up in a home with plentiful books. They already love reading and if I fail in every other aspect of life, I have already achieved great success there.  

Reclaiming Literature for the Real World

Years ago, before I returned to New York, I decided I wanted to be a writer. I had no real plan and to be honest my ambitions have languished at various times. But it’s long overdue that I stepped up my efforts to make waves in the world of fiction as I have long planned, and my effort comes at a time when more writers than ever are fightingto reclaim literature for the real world.

Like other parts of the art world, what is considered literature is often the judgment of a well-heeled clique of self-dealing academics. They feed on the dreams of earnest young writers and take them to the cleaners after convincing them that they need a Master of Fine Arts (MFA) to be considered a serious writer.

The MFA programs churn out many hopeful and aspiring writers, and many of them are excellent. But when I look back on the great writers that I admire, none of them made their bones in an academic program, but by scrapping out a living in the real world. The academic journals and programs have a choke-hold on what gets considered literature at the moment, though history will offer a different opinion.

Either way, the current system of academic literature has never been in greater need of a hard kick in its well-powdered derriere. And getting books published at all often requires knowing the right people and getting the right agent.

The Internet has helped writers working outside of this established universe to be heard and even make some money off of their writing. I am honored to know people like DarrenPillsbury, who has more courage than just about anyone I know and moved to California to pursue his dreams as a screenwriter. He wound up excelling in online publishing and is best known for his ‘Peter and the Vampire’ series. He gave me some great advice on how to publish things online. I probably violated plenty of his advice when I put a short story on Amazon and charged too much money for it, but I did it to figure out how to do it.

I’ve been too long avoiding pursuing literary ambitions in earnest because I’ve busied myself with other creative things. In some way they’ve all made me a better writer and a better person. Being in a punk rock band demonstrated that a key to any success is finding good creative people to join you. No one wants to listen to me play bass lines on my own, but I was lucky enough to have excellent collaborators in Blackout Shoppers. Doing comedy showed how not all audiences will respond the same way to the same material. A joke that kills at one gig bombs at another. The key is remembering you have the microphone and pressing on.

The right niche for success likely lies in the more comic short stories that I write. I love writing them and people enjoy reading them. I don’t know how marketable that is. Short fiction doesn’t make much money these days, but so what? I’ve mastered the art of excelling at art forms that are money losers at their core. As one of my excellent musician friends said, “We are middle-aged men with an expensive hobby.”

For a long time I attempted to write what I thought would be what literary types wanted to read, but in reality even moody literary types want to read something interesting. My stories feature people shitting themselves to death, loaning a family member’s corpse out to necrophiliacs, and taking part in operations to kill Islamic militants with Ebola on their toast. I have not done any of these things, but they are more compelling subject matter than most of what passes for literature today. I think I manage to make these stories into literature that will stand the test of time, but even if you don’t think it is art, at least it’s damn interesting.

Too many people, in art and in life, do what they think they are supposed to be doing instead of what is right for them to do. It’s not right for me to try to write weepy sensitive stories about people coming to terms with their emotions. I’d rather write about people saving White Castle from terrorists or punk rock bands doing battle with crack head zombies.

So Monday, Feb. 16 I will be reading a short story at the debut Short Story Open Mic at The Cobra Club in Brooklyn. It is hosted by my good friend Phill Lentz, who lives the mad literary life of music art, blood, sweat and tears. I am honored to be the featured reader.

The reading is a competition. Writers pay $5 and the winner gets the whole pot. The crowd gets to vote on their favorite writer, with drink tickets being used for votes. You could rig the whole thing if you bring enough hard-drinking friends, but it’s still a more fair literary competition than what the academic journals are offering.

So if you have a short story that you can read aloud in five minutes or less, join us at The Cobra Club and put your work out there on the line. You will be living a truly literary life. Be bold.