Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Tuesday, December 16, 2025

New Poem on Impolite Literature: Snowman

 

This past Sunday my girls asked if they could make a snowman. Of course they could. What kind of gobshite would I be to not let children build a snowman? I did not have time to take them to a nearby park, though; I was busy making Double Satanic Deviled Eggs for a family party. They made do with a snowman on the sidewalk in front of my home. They came to the door to ask for things to use for eyes—I did not have coal or carrots, but some almonds and a pecan worked for a face.

I wrote a poem about it, Snowman, which can be found on the Impolite Literature website.

The snowman is still standing guard a few days later, leaning a bit in the sunlight.


Wednesday, January 30, 2019

A tribute to Burns Night and the Brooklyn of Old


Fifteen years ago, it was a cold night in an apartment in Prospect Heights, Brooklyn where maybe two dozen people gathered for a Burns Night party. Burns Night is January 25 and celebrates the birthday of Robert Burns, the Scottish poet who lived in the late 1700s.

Several of us had brought our volumes of Robert Burns’ poetry, and at any point during the party, a partygoer would shout “Poem!” and silence the festivities for a reading of Burns poem.

The host had traveled to a meat distributor in New Jersey to obtain authentic haggis, a traditional Scottish dish comprised of a sheep’s offal and other ingredients served inside an animal’s stomach. A central ritual of the Burns Night party consisted of our host cutting open the haggis while someone read the Burns poem ‘Address to a Haggis.’

These Burns Night parties were a testament to the greatness of New York City and to the promise and meaning of Brooklyn to so many people. These were eclectic gatherings that showed the power of art to transcend time and place. Here were people of a variety of ethnic backgrounds celebrating a Scottish poet. The host, Roger, is a Peruvian Jew who grew up in Detroit. There was at least one real Scotsman at these parties, or at least he looked the party with a kilt. Maybe none of us had a drop of Scottish blood. Who cares? The power of Burns’ poetry transcends.

Among the guests at Roger’s parties were his frequent music collaborator Scott and Scott’s wife Diane. I once got to dog sit for Scott and Diane’s amazing dog Connolly (full name: Satchel Connolly X) – I picked up their house keys at a local diner where they knew the owners, walked their dog and explored Prospect Heights, which was a real neighborhood.

They were among the most active voices opposing the AtlanticYards Project, a corrupt boondoggle that forced people out of their homes and businesses to construct luxury housing and a sports stadium. That fight was lost and the BarclaysCenter now sits on what used to be the part of the vibrant and eclectic Prospect Heights neighborhood. To this day I have not set foot inside the Barclays Center.

Roger returned to Detroit and Scottleft Brooklyn and ended up in New Orleans. Diane remained in Brooklyn for a while after their breakup but she later moved to Westchester. All these people are doing well. Roger continues to write brilliantly, Scott has had his photos exhibited and Diane is a Fordham professor who recently publisheda book.

Those parties and those three people in particular represented Brooklyn to me like nothing else. They had each had come to New York and conquered it on their own, leaving great music and art in their wake. When those three people left Brooklyn, it was a sure sign that the things that made Brooklyn special were gone forever. If the people who embodied the spirit of Brooklyn more than anyone I knew were had left, then Brooklyn had outlived its usefulness. 

That’s not to say there is nothing good about Brooklyn. I still go to Coney Island and Prospect Park and there are still music venues in Brooklyn worth your while. But for the most part when I think of Brooklyn I think of overpriced real estate and the hordes of well-off people who are driving up the price of everything.

But people who attended Roger’s Burns Night parties years ago have not forgotten them. A friend recently spent Burns Night at Peter Luger’s Steak House and recited some Burns poems to his family and friends. Diane mentioned Burns night in a school lesson about ethnic foods and culture; sadly her students had not heard of Burns Night.

Roger posted his memories of Burns Night online, noting how he first came across a reading of Burns poetry inside a pub in New Jersey, and woke up the next day in New York determined to be one of the people who would recite Burns poetry.

I stayed up late with my volume of Burns poetry, and read The Bonnie Wee Thing to my wife while holding her hand. It was not the happening party of years ago, but I could not go to bed on Burns Night without reading a Burns poem.

The Burns Night parties in Brooklyn of long ago are gone, but as long as I live I will keep them alive in spirit, and I am not alone.

Aye.

Wednesday, April 04, 2018

There is no such thing as too many books



“The reader, the booklover, must meet his own needs without paying too much attention to what his neighbors say those needs should be.”
—Theodore Roosevelt

“We need to make books cool again. If you go home with somebody and they don't have books, don't fuck them.”
― John Waters

When I first moved back to New York City as an adult, I made it a point to make regular pilgrimages to The Strand to stock up on books. There was no way I could manage to leave there without several bags of books.

My small studio in Queens had two windows that looked out over a bus stop on 101st. Avenue and Woodhaven Boulevard. One of those windows was home to my air conditioner, the other window became my extended library. I already had a hutch bookcase filled with books but as my trips to The Strand and other bookstores multiplied, I needed more space for my books. Soon I was picking up plastic milk crates I found on the street to use as bookshelves. Then I acquired more milk crates, and soon had to double-stack books in them. More than once I found a great deal on a classic book at The Strand and bought it only to find that I already had that book at home.

When I moved to new apartment a few years later, I had space for actual bookshelves and bought four of them. They were quickly filled.

No longer single and free to binge at bookstores, my wife and I are now in the process of trying to make more space in our apartment for our family of five. That includes making more space in our living room, which currently houses most of our books. It is not an easy task.

It is not easy to part with books, nor should it be. Each book is an adventure waiting to happen, to give away a book without having read it is to deny a future possibility, a potential new thrill or idea. To turn away from books is to turn away from inspiration, from moving dreams and a new way of looking at life. Books are the lifeblood of the soul, and the building blocks of a civilized society.

Some purists may not forgive me for trying to adapt to the confines of space in our urban environment and using a Kindle. I know, I know: there is no substitute for the printed page, and the satisfying heft of a hardcover tome cannot be replicated by any electronic device. I agree. But as a commuter it is helpful to be able to read things with one hand, and while I would love to fill every spare inch of wall space in my apartment with shelves full of books, my kids need space to sleep and play. The Kindle has been a great evolution in the reading life if you can adapt to it. Some die-hards will not have it and I understand. If space and convenience were not factors, I’d be there.
But I have not given up printed books altogether. I will buy printed books when I can and use the Kindle as much as possible as well.

My collection of printed books will continue to grow, albeit a bit slower than in my bachelor days. My children are growing up in a home with plentiful books. They already love reading and if I fail in every other aspect of life, I have already achieved great success there.  


Wednesday, June 21, 2017

Sherlock Brett Saves America


More than 20 years ago, when I was still in college, I started writing short stories for my stepbrothers. My stepbrothers Brett and Lyle wanted to be hero detectives, and so the first short story, “Sherlock Brett and the Case of the Missing Clowny” featured them searching for our younger sister’s favorite stuffed toy (spoiler alert: I had the stuffed toy; I was such a poor college student that I was trying to barter it for groceries).

These stories were silly fun for young kids, though I snuck some adult jokes in there in case my father or stepmother happened to read one of them. I began making a habit of writing these stories for Brett and Lyle’s birthdays and for Christmas.

The adventures of Sherlock Brett, his trusted brother and sidekick Watson Lyle, and our sister Georgia, have evolved over the years. My younger brothers and sisters are all adults now. I still send stories, but they have much more adult subject matter and explicit sex and violence.

Four years ago, I got a call that Brett had taken ill in Miami—he had moved there to work for Univision—and that the illness might soon prove fatal. My father and stepmother flew down there immediately. Brett was in a coma and his prognosis was grim, but he pulled through. He’s still recovering from the effects of being sick and in a coma, and it has been a steady but slow road to recovery for him.

Brett has stayed sharp and I’ve continued writing stories for him. He hasn’t let his long recovery process put a stop to his life and he married his wife Samantha, who now has a bigger role in the Sherlock Brett stories.

While I am glad that these stories have a small and appreciative audience among family, I thought that they could help form a vital part of my literary canon and be published for the general public. I put a few short stories online for sale through Amazon, but you had to have an Amazon Kindle or have the (free) Kindle app on your smart phone.

For Christmas last year, I wanted to have a physical book to send Brett as a gift. I began collecting some of what I thought were the better and more recent Sherlock Brett stories and compiling them in a book. I pulled them together and began editing them for publication. This took longer than I expected and I learned I know little to nothing about book design.

But slowly things came together. I got the very excellent JustinMelkmann to do the cover art and help with editing from my wife Emily got the book in top shape.

Last year, Brett was the first person I called after our youngest daughter was born to give him the news and tell him his new niece’s name. I told him I was sorry he had to share a birthday with another family member, but the doctors had determined the time was right for our offspring to be from her mother’s womb untimely ripped.  

I managed to get Brett copies of SherlockBrett Saves America, a collection of Sherlock Brett stories that will humor and inspire. He said he was very happy with it, and that made my day.

So if you’d like to read the adventures of a detective who not only ran for president but also handed Islamic terrorists their worse defeat ever, took the world’ largest bowel movement while helping fight a band of White Castle bandits, and helped fight an unfair bathroom law in North Carolina, then buy this book. 

I plan to continue writing the Sherlock Brett as well as stories about my other brothers and sister until they ask me to stop or until I die. These are fun to write and I have license to bring some much-needed levity and satire to our world. 

Wednesday, April 27, 2016

Road tripping through Kerouac’s Queens


Taking a road trip sometimes happens on a whim on a random weekend day, not because I’m suddenly inspired with the desire to know the American road, but because our toddlers have fallen asleep in their car seats and the wife and I want them to nap for a while. So began our latest sojourn on the great American road, which kept us mostly around our borough of Queens, but that’s OK because as you might have surmised, Queens is secretly New York City’s greatest borough.

We left the Queens Botanical Garden in our neighborhood of Flushing and our twin girls were asleep before we reached the nearby highway. We headed to the Rockaways because it was the anniversary of the Easter Uprising in Ireland and the Rockaways have been a home to hardscrabble Irish for a long time, including one Queens native who wound up fighting in the Easter Uprising of 1916.

Our navigation system took us into Nassau County and we passed by Valley Stream State Park before getting off of the highway and driving through the villages of East Rockaway, Malvern, and Lawrence.

We didn’t end up in the Irish part of the Rockaways, and the housing projects that tower over the bungalow houses are not filled with Irish immigrants. We decided to start our journey home going through Broad Channel and my old neighborhood of Ozone Park.

We took Cross Bay Veterans Memorial Bridge and cruised over Jamaica Bay. On one side of the bridge the skyline of Manhattan was prominent through the haze of sun and clouds. On our right and north was JFK Airport. Broad Channel is a small community that sits on the waterfront of Jamaica Bay. It’s a rare example of small town life within the five boroughs of New York City.

Cross Bay Boulevard brought us farther north, past the Jamaica Wildlife Refuge on both sides of the road and into Howard Beach and Ozone Park.

When I first came back to New York City, I worked at JFK Airport and lived in Ozone Park. I was very happy to learn that Jack Kerouac lived in Ozone Park for 12years. He’s celebrated a lot in Massachusetts where he is originally from and buried, and in Manhattan where he would give readings and where he wrote On the Road. But Kerouac wrote his first novel, The Town and the City, while living in Ozone Park.

There is a historic marker outside the house where Kerouac once lived. When I lived nearby, it was good to go to Glen Patrick’s Pub and gulp down drinks, hoping some literary magic might have survived and would rub off on me. That kind of sentimentality is crap, really, but it was good at the time to know that the inheritors of America’s great literary traditions came from working-class enclaves like Ozone Park and Howard Beach.

It was good to see reinforced the knowledge that real literary grit and work takes place not in the posh hipster enclaves and trendy bars or bookstores of Manhattan or (nowadays) Brooklyn. Kerouac didn’t haul his typewriter to a coffee shop so people could gawk at him write. He got his writing done in a cramped apartment a few feet away from Cross Bay Boulevard.

We took our girls into the Cross Bay Diner and had a late lunch while watching boats and seagulls come by on Hewett Creek. Fishing boats, a police boat, and even a large fishing boat called TheCapt. Mike, came by and served as a great distraction for the kids.

Howard Beach and Ozone Park have changed quite a bit since Kerouac lived there, and they’ve changed a lot since I moved away in the summer of 2001, but their working-class character survive and they remain great neighborhoods to live in. They will continue to inspire and bring more great artists to the world. 

Wednesday, November 25, 2015

Thankful in 2015

Thanksgiving is coming up and there are a lot of things to be thankful for. It is easy to look at the state of the world and feel that our generation got the short end of the stick and that things were better years ago. The human species has a habit of romanticizing the past to a fault. The present always looks lacking to Americans in general and New Yorkers in particular because we are an ambitious people who always see better possibilities.

But if we are living safely with food in our stomachs and a roof over our head, we should be thankful; there are a few billion people who would gladly trade places with us.

Here are some things I am particularly thankful for:

Family. I am lucky to not only have a wife and kids who love me but numerous other relatives and step-relatives who love me also. I can tap into the wisdom of several aunts and uncles, cousins, and my amazing grandmother, the indomitable matriarch who is our rock. My family has demonstrated time and again how to persevere through hardship and loss with grace and strength. I am lucky to be of such strong blood.

Health. No doubt my steady diet of weekend egg sandwiches has left me the worse for wear and my back is a scramble of slipped disks and strained muscles, but compared to many people, I am in very good health. I know too many family and friends who have suffered bad setbacks to take my health for granted.

Employment. While I have known great unemployment and underemployment in my time, I am currently gainfully employed at a stable company. Having worked as a journalist for nearly 15 years, I crossed over “to the dark side” of public relations last year. I landed in a good place with smart, friendly co-workers; a lot of people can’t say that.

Creative Ambition. One of the reasons I am lucky to have the family I do is that I’ve inherited my family’s desire to create. My family is full of writers, musicians, actors and more and I am honored to be among them. Being creative gives you a constant reason to live even when all else looks dismal.

America. While the American Empire is deep into its twilight, the America I grew up with and love is very much alive though casting a cautious eye towards the future. America is the greatest nation on Earth because it is my country. We have a lot of problems, but we have a lot of freedom that many people never see.

New York City. No city inspires as much simultaneous love and hatred from its inhabitants as New York. There is no other place on Earth that is constantly rewriting its own mythology and acts such a magnet for creativity and ambition. New York will outlive us all. As much as we hate to see New York change, we know it will never die as long as the Earth remains intact. 

Sunday, June 21, 2015

Literature for You: Supernova Black Hole Butthole

Supernova Black HoleButthole is now published. I am still new at the Amazon publishing game. I would like it if there were an option for people who buy things from Amazon’s kindle store to get them in printed book form as well, even if that means a smaller payout to the author.
But that doesn’t matter, because I have more fiction for sale on Amazon, out there and ready for the world to see, for a small fee.
This story was the first one I read at the Cash Prize LiteraryOpen Mic at The Cobra Club in Brooklyn earlier this year. I didn’t win the prize at that open mic but the story was very well received and someone asked me after the reading if this was available online for purchase anywhere. Now it is.
So enjoy and thank the very talented JustinMelkmann for his awesome illustration. 

Saturday, February 07, 2015

Reclaiming Literature for the Real World

Years ago, before I returned to New York, I decided I wanted to be a writer. I had no real plan and to be honest my ambitions have languished at various times. But it’s long overdue that I stepped up my efforts to make waves in the world of fiction as I have long planned, and my effort comes at a time when more writers than ever are fightingto reclaim literature for the real world.
Like other parts of the art world, what is considered literature is often the judgment of a well-heeled clique of self-dealing academics. They feed on the dreams of earnest young writers and take them to the cleaners after convincing them that they need a Master of Fine Arts (MFA) to be considered a serious writer.
The MFA programs churn out many hopeful and aspiring writers, and many of them are excellent. But when I look back on the great writers that I admire, none of them made their bones in an academic program, but by scrapping out a living in the real world. The academic journals and programs have a choke-hold on what gets considered literature at the moment, though history will offer a different opinion.
Either way, the current system of academic literature has never been in greater need of a hard kick in its well-powdered derriere. And getting books published at all often requires knowing the right people and getting the right agent.
The Internet has helped writers working outside of this established universe to be heard and even make some money off of their writing. I am honored to know people like DarrenPillsbury, who has more courage than just about anyone I know and moved to California to pursue his dreams as a screenwriter. He wound up excelling in online publishing and is best known for his ‘Peter and the Vampire’ series. He gave me some great advice on how to publish things online. I probably violated plenty of his advice when I put a short story on Amazon and charged too much money for it, but I did it to figure out how to do it.
I’ve been too long avoiding pursuing literary ambitions in earnest because I’ve busied myself with other creative things. In some way they’ve all made me a better writer and a better person. Being in a punk rock band demonstrated that a key to any success is finding good creative people to join you. No one wants to listen to me play bass lines on my own, but I was lucky enough to have excellent collaborators in Blackout Shoppers. Doing comedy showed how not all audiences will respond the same way to the same material. A joke that kills at one gig bombs at another. The key is remembering you have the microphone and pressing on.
The right niche for success likely lies in the more comic short stories that I write. I love writing them and people enjoy reading them. I don’t know how marketable that is. Short fiction doesn’t make much money these days, but so what? I’ve mastered the art of excelling at art forms that are money losers at their core. As one of my excellent musician friends said, “We are middle-aged men with an expensive hobby.”
For a long time I attempted to write what I thought would be what literary types wanted to read, but in reality even moody literary types want to read something interesting. My stories feature people shitting themselves to death, loaning a family member’s corpse out to necrophiliacs, and taking part in operations to kill Islamic militants with Ebola on their toast. I have not done any of these things, but they are more compelling subject matter than most of what passes for literature today. I think I manage to make these stories into literature that will stand the test of time, but even if you don’t think it is art, at least it’s damn interesting.
Too many people, in art and in life, do what they think they are supposed to be doing instead of what is right for them to do. It’s not right for me to try to write weepy sensitive stories about people coming to terms with their emotions. I’d rather write about people saving White Castle from terrorists or punk rock bands doing battle with crack head zombies.
So Monday, Feb. 16 I will be reading a short story at the debut Short Story Open Mic at The Cobra Club in Brooklyn. It is hosted by my good friend Phill Lentz, who lives the mad literary life of music art, blood, sweat and tears. I am honored to be the featured reader.
The reading is a competition. Writers pay $5 and the winner gets the whole pot. The crowd gets to vote on their favorite writer, with drink tickets being used for votes. You could rig the whole thing if you bring enough hard-drinking friends, but it’s still a more fair literary competition than what the academic journals are offering.

So if you have a short story that you can read aloud in five minutes or less, join us at The Cobra Club and put your work out there on the line. You will be living a truly literary life. Be bold. 

Thursday, March 20, 2014

Be a Better Irishman (or Irishwoman)

The great green retardation is upon us once again. St. Patrick’s Day should be a sad day for Irish people. The day has been reduced to an excuse to get drunk. Getting drunk is fine, but drinking to celebrate Irish culture is like smoking crack to celebrate Black History Month. The Irish Americans, for all the good they have done this country, are quick to embrace the worst in themselves. No other ethnic group I can think of so joyously trumpets its own most negative stereotype.  

But it doesn’t have to be that way. There are better ways to celebrate Irish heritage. Think about some of these between your overpriced “pints” of green beer:

Celebrate April 24 or June 20 instead. St. Patrick’s Day is a Catholic saint’s feast day. Catholicism has had a tremendous influence on Ireland and I’m sure some of it has been good. But for the most part Catholicism has helped keep Ireland divided and promoted poverty and child molestation. The Catholic influence is such that in the Republic of Ireland divorce wasn’t legalized until 1996 and abortion wasn’t legalized until 2013. It will be a tremendous help to divorce Irish identity from Catholicism. And if you are the religious sort, I don’t think too many people left in the world have a holy or religious association with St. Patrick’s Day anymore. If you let the day be just a saint’s feast day once again, Irish Americans can join with everyone else in puking their guts out on Cinco de Mayo.

Since we celebrate America’s Independence on the day the Declaration of Independence was signed, let’s celebrate Irish heritage with the anniversary of the Easter Rising of 1916, which is April 24. It took longer before most of Ireland was free from British rule (we’re still waiting), but that was the beginning of the end of most of Ireland leaving the U.K., even though the rebellion was quickly crushed and most of its leaders executed.

If you’d prefer a summer Irish celebration, June 20 is the birthday of Theobald Wolfe Tone, the leader of the 1798 United Irishman Rebellion. The United Irishman Rebellion failed miserably (it would have worked if the French had gotten to Ireland in time to help), but Wolfe Tone (who happened to be Protestant) is considered the founder of Irish republicanism.

Read some Irish literature. Ireland has produced more poets and playwrights than you can shake a shillelagh at. Go try to wade your way through the more problematic James Joyce, but read Portrait of the Artist as a Young Man and Dubliners first. In fact, June 16 or Bloomsday would be another great Irish national holiday in place of St. Patrick’s Day.

So read Brendan Behan’s plays and Yeats’ poems. Did you know that Bram Stoker, who wrote Dracula, was Irish? Did you know Irish playwright Samuel Beckett used to drive Andre the Giant to school? It’s true. Go see a Beckett play or a Martin McDonagh play. Impress your lady friends with some witty Oscar Wilde quotes. You will be a better person for it.    

Learn some Irish (aka Gaelic). Like most Americans, I am not fluent in the indigenous language of my ancestors. The Irish language had been called Gaelic for a long time, but since there are other forms of Gaelic, such as Scots Gaelic in Scotland and Ulster Scots, a form of Scots Gaelic spoken in parts of the North of Ireland, the Irish Gaelic language is now just called Irish. There are classes at the IrishArts Center in New York and in many cities around the U.S. It’s a beautiful language and learning to speak Irish will do your brain more favors than downing a fifth of Jameson.


Revive Irish nationalism. Padraig Pearse famously said, “Ireland unfree will never be at peace.” Ireland is still divided and while the paramilitary violence that plagued it over the past several decades is over, there is still residual sectarian violence and breakaway paramilitaries fighting for their causes. If Irish Americans were as united in pursuing a united Ireland as Jewish Americans are in advocating for Israel, we could have united Ireland next week. What will happen in two years from now when it is 2016, 100 years after the Easter Uprising, and we still have a divided Ireland?  Also, self-proclaimed Irish nationalist groups in Ireland have failed to address and in fact have supported large-scale immigration to Ireland. Ireland has seen massive immigration of similar scale that has already had very dangerous effects in places such as England and France. Irish Americans, who were instrumental in supporting the struggle for Irish freedom for centuries, should help revive Irish nationalism in Ireland once again. 

Tuesday, February 04, 2014

Stop Horsing Around

New York’s attempt to think about stupid stuff for a weekend came to an abrupt halt early on Super Bowl Sunday when word was leaked that Philip Seymour Hoffman was found dead of a heroin overdose.

Hoffman was a highly celebrated actor and I had the good fortune to see him on stage several times. His most well-known role was his Oscar-winning performance as Truman Capote in Capote. My personal favorite Hoffman film performances were his turns as the millionaire Lebowski’s assistant in the Coen brothers’ The Big Lebowski and as the furiously masturbating crank phone caller in Todd Solondz’s Happiness.

Heroin is one of the absolutely dumbest drugs you can take. It is horrifically addictive and even people who have been rid of it for years find themselves drawn back to it, as was apparently the case with Hoffman. I can think of several good people I knew, people I thought were too smart for it, people who were streetwise and experienced and with a lot of talent to offer and good years ahead of them, who have overdosed on smack. It’s one of the most senseless and undignified deaths imaginable. It’s an admission to the world that you were weak, that you let a small envelope of powder determine your fate.

It is immensely frustrating to see people with great talent and success piss away their lives with drugs or alcohol. But they have done so endlessly. The litany of great artistic drunks and drug addicts outnumbers the roster of brilliant teetotalers immeasurably.

One can argue that for big movie stars like Hoffman, arrogance and success drive them to drugs. I disagree. Hoffman likely began his life with drugs when he was little known. Most of the artists who die from drugs and alcohol are not famous people but nameless nobodies without much to their name.

Artists are drawn to substance abuse because they are constantly seeking transcendence. That’s why they are artists; they want to exist outside the humdrum of everyday life. Every creative person, myself included, has a star-gazed idea of themselves that rarely matches reality. Creative people almost always want to be something other than what they are. And for an artist, the worst thing in the world is to look in the mirror and realize that you’re a normal person like everyone else. Drink and drugs can keep that fun-house mirror in front of your face a lot longer than your brain can by itself. That’s the deadly trap of getting drunk or high. It’s a lot easier to sit in a pretty café and drink yourself into oblivion like Hemingway than it is to sit over a keyboard and write a novel like Hemingway.

As one of the world’s legion of frustrated writers, I have spent most of my adult life on the drunk list but became a teetotaler in recent years. I can say with confidence that you can excel at being creative while not indulging in substance abuse. I like to think that if I can quit drinking, anyone can quit anything (and without becoming a religious Alcoholics Anonymous zombie either, but that’s a topic for another time). Even Charles Bukowski, who made his reputation on being a habitual drunk, was able to quit drinking later in life without it damaging his writing output. A biographer quoted him as saying he hardly missed it.

Some people are determined to be junkies or drunks. There’s no excuse for it. Trying to make sense of it will break your heart. It doesn’t degrade the art they leave behind, but the loss of their talent makes their passing much more contemptible.

Friday, November 22, 2013

Ars Gratia Artis

The gay community is a collective rainbow huff over the movie “Ender’s Game” because Orson Scott Card, the author of the novel on which the movie is based, holds conservative views on gay marriage and homosexuality.  Lots of gays refuse to see the film and some have organized boycotts.

I have not read the book or seen the movie, but I understand it to be science fiction and that it does not overtly or metaphorically address any gay rights issues. It was written decades ago before issues of gay rights were as ubiquitous in our public discourse as they are today. The author is indeed outspoken against gay marriage and gay rights etc.  

People are welcome to boycott any film or book for any reason, but there’s one important element I think that the boycotters are missing. That is: Enjoying a work of art is not an endorsement of the political views of the artist.

I’m all in favor of gay marriage and treating gays equally under the law in all relevant respects, but it’s not something I’m going to let get in the way of reading a book or seeing a movie.

You are free to decide what you want to see or read based on the political views of the creators. But at some point you are going to paint yourself into a corner. You will at some point find yourself patronizing the work of an artist with whom you disagree vehemently.

            And even if Card penned a violent homophobic screed that called for some kind of lavender holocaust, reading it or watching it doesn’t mean you agree with it. Everyone should be willing to challenge themselves and purposely seek out opposing viewpoints in art, politics, religion and all aspects of life. If we can’t listen to the opposition, we can’t form our own arguments thoughtfully.

            But let us also enjoy art for art’s sake. If “Ender’s Game” is a shitty book and movie, let it fail on its own merits, not because you hate the religious or political view of the author.        

            I was disappointed to learn Pablo Picasso was a communist and Louis-Ferdinand Céline was a fascist. It broke my heart to see ZZ Top play the George W. Bush inauguration and to read about Julianne Moore shilling for illegal immigration amnesty. Should I boycott all the works of these artists? No. I disagree with them but my patronage of their work is not an endorsement of their views.

            The case of Alec Baldwin, a bona fide leftist who recently issued a mea culpa for calling a reporter a “cocksucking fag,” scrambled the minds of the powers that be at MSNBC, which suspended his TV show for the offense. But no matter how disgusted you are with him for whatever reason, you can’t deny his acting skills. Does watching his films mean you endorse his leftism or his gay slurs or his unique (gay) marriage of the two? No. You can watch “Glengarry Glenn Ross” guilt-free no matter what your political persuasion.

An artist’s goal is to make art that is powerful enough that it can overcome and outlast the foibles of the artist. Only time will tell. Did Robert Johnson approve of homosexuality? Did Nathaniel Hawthorne believe in equality between the races? Those questions are completely irrelevant to those men’s contributions to the world.


 At some point art and politics must go their separate ways. Whatever your politics, can we least agree that one of the biggest sins of all is limiting your intake of art? 

Sunday, July 21, 2013

The Cold Harsh Light of City Lights

            I have not visited San Francisco without visiting City Lights Books; I’d feel guilty not visiting if I’m there. It’s a great rite of passage for any lover of the written word.

            So it was with usual enthusiasm that I entered again on my most recent trip to California and the great city of sourdough.

            City Lights is well known for its fiction and poetry. It is of historic note as a center of the Beat writers and it is owned by the still-living beat writer and poet Lawrence Ferlinghetti (his book of poems A Coney Island of the Mind is one of the best ever by the beat generation).  
           
            Looking at the political books near the register, there was no attempt at balance. There was the latest from an aging academic and Soviet apologist, a diatribe from a racism hustler gloating over the demographic changes in the U.S., and the usual suspects. I bear no grudge against my many leftist friends and there are many left-wing causes I agree with, but a good bookstore will try to provide some balance, and you couldn’t balance this bookshelf if you put Mein Kampf on it. A bookstore has a right to stock whatever it wants on its shelves and I’m sure most of City Light’s customers gladly drink what passes for the “progressive” Kool-Aid today. But would it hurt to stock some opposing viewpoints? Politically speaking, our literary world has become an echo chamber of self-hating marshmallows.

            The upstairs room is dedicated to poetry and to the Beat writers. A chair by one of the bookshelves had a sign on it that read ‘Sit Down and Read a Book.’ The larger rocking chair next to it had ‘Poet’s Chair’ painted on it. I decided to sit there, since I do indeed write poetry. I picked up a book of poetry from a nearby table that looked interesting. It was a large but not thick book that had an interesting cover with what looked like a bloody doll or puppet on it. I don’t remember the poet’s name. I sat down and read some poetry and realized the stuff I write is better. I turned the book over and read the brief blurb about the author: someone with a predictable pedigree of the literary establishment and not the poetry power to match it.   

            But a good literary scene happens when people go off on their own and take inspiration from the real world around them. Flocking to a bookstore because Allen Ginsberg once took a shit there doesn’t promote good writing.

            I was no longer in the magical place of wanderlust young poets. I was in a retail store that helped suck the life out of literature by cashing in on long-dead celebrities and following the same institutional claptrap that would have made Jack Kerouac puke in his backpack.

There is a fine line between inspiration and commoditized hero worship. My latest trip to City Lights made me believe the venerated bookstore had crossed the line. But then again, it’s a business. It knows we’ll keep buying books there. I’m guilty as charged. I bought a large R. Crumb coffee table book and Knut Hamsun’s Growth of the Soil.

            City Lights Books inspired me once again, but differently than in years past. I left with a determination that the current guardians of our culture’s literary estate need to have their throats cut. Let the call go out in America today for a ninja army of a new vanguard who will make poetry and literature real to people again, and not the province of the sad sacks of coffee shops and admissions offices. Great writers don’t eat tofu. Great writers eat sausage, spinach and pussy.

            American once found its writers among its strongmen, housewives, sailors and hardscrabble journalists. It will once again.